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Www Datingbikini Kalix79 Dating Bikini Photography 1970-present--Review Slides (midterm) 2010 Jaeger The test will be short answer. Bring several sheets of blank paper. It will last about an hour. After a short break, we will have another hour of regular class moving forward. Good luck. Study. Datingbikini tudy together if you can (it helps a lot to bounce things). Write if you have questions. The test is given live, with slides, so be there please. The New York School: Frank/Avedon (1950s and 60s foundations) Robert Frank: metaphoric, subjective documentary of 1950s U.S., not merely observational. Landmark book: The Americans, great influence for seeing and saying something about the American soul people-places/indelible-frank-200811.html books/695-The-Americans.html Richard Avedon: fashion/commercial photographer with several personal projects including Nothing Personal from the Kennedy years (early 60s), detailed, in your face, raw expressions, unflattering collection/browse_results.php?criteria=O%3AAD%3AE%3A248 news/2007/february21/avedon-022107.html Roy Decarava: dark, rich portraits and scenes, mostly Harlem and NYC. Intimate. 1950s-60s. education/referencedesk/masters/masters/roydecarava/roydecarava.shtml small/exhibits/rec_acq/history/sweet.html New Documents (MOMA show 1967) and Davidson Lee Friedlander: dry, visually layered images, feelings of sterile emptiness, documentary with aesthetic overtones (note images from 1960s especially, with this visual complexity), 60s-date aic/collections/search/citi/artist_id:1937 note the second photo here, for example: collections/permanent/friedlander_lee.php ArticlesFile/Archive/Articles1998/Articles0998/LFriedlanderA.html Garry Winogrand: documentary but with attention to density of things happening in frame, caught moments, lively, seeming (or actual) spontaneous shooting, 60s-date aa/1aa/1aa542.htm collections/permanent/winogrand_garry.php art/gettyguide/artMakerDetails?maker=1834 ArticlesFile/Archive/Articles1995/Articles0695/Winogrand.html appel/BAWinogrand.htm Diane Arbus: documentary but with questionable objectivity, often of people on fringes of society, in your face, straight, 60s exhibitions/exhib_detail.asp?id=108 Bruce Davidson: socially concerned documentary, long term projects, beauty in ordinary life, East 100th Street (123 photos published 1970, shot with large format) davidsonshow3.htm LotFinder/lot_details.aspx?intObjectID=5185999 Directorial (arranging and directing subjects as a movie director would) Duane Michals: directorial (staged) scenarios, half playful and half pseudo-profound, usually with handwritten text, often sequential, 60s-date 2008/01/duane-michals-and-schroedingers-cat.html news/2009/nov/04/duane-michals-photographer-or-metaphysician/ legends3/michals/ Bernard Faucon: Summer Camp mannequins in idyllic boy’s camp scenarios, color, late 70s this first link has a ton of stuff including Summer Camp images mixed in...look around showPhotographer/17 ~geraci/faucon/faucon.html flash/indexFLASH.htm Eileen Cowin: docudrama, stripped down domestic scenes like raw soap operas, late 70s/80s (first link, click on 1980s if necessary) 1980index.html 2008/06/eileen-cowin.html Conceptual/Perceptual (ideas and visual games, usual photograph based) Robert Cumming: fools with expectations in many different photographic ways (frozen action, positive/negative, point of view), these are normally set up to be playful and depetive. 1970s/80s. 2008/10/cumming1.jpg mfa/ideaphotographic/artists_cumming.html (Jan Dibbets): playing with space, conceptual artist 60s-70s (don’t need to know this by image) John Pfahl: Altered Landscapes, subverting normal pictorial space with lines, objects, etc. that defy expectations, prettified versions of Dibbets70s into early 80s pages/newalteredmenubottonmenu.html shatteringearth/artists.cfm?Art=34 In this one, look at the “early work” nearest the top: 2009/04/john-pfahl-early-work.html John Pfahl: later work (Power Places) home/127-power-places-john-pfahl Image.aspx?image=2301&story=295&back=Story Sophie Calle: odd incidents, some seemingly real events, others orchestrated projects, photos used to document the concept and the voyeuristic results (pictures of people’s hotel rooms, of her clothes, of blind people), fact or fiction?? 70s-date (the second two links are just last minute uncaptioned pictures, so do your best with them) toah/works-of-art/2000.409a-d dare/themes/space/calle.html this next one includes tons of recent stuff and might be confusing, but check it out if you want: artiste-Sophie_Calle-1.html Artists using photography (or photographers who are artists) Andy Warhol: Pop artist using found imagery to make screenprinted versions, laden with popular American icons, graphic arts basis, early 60s (main breakthrough work) and on, obsessively photographing and filming his life colorart/marilyns.html 2007/05/08/green-car-crash-andy-warhols-death-and-disaster-series/ images?svnum=10&hs=NvP&hl=en&lr=&client=firefox-a&rls=org.mozilla%3Aen-US%3Aofficial&q=andy+warhol+screenprint&btnG=Search Robert Rauschenberg: artist layering and collaging American icon imagery using screenprinting, more painterly, basis in easel art but far transcended it, 60s-date (key photographic work we studied is 1962-64) images?svnum=10&hl=en&lr=&client=firefox-a&rls=org.mozilla%3Aen-US%3Aofficial&q=robert+rauschenberg+screenprint&btnG=Search Romare Bearden: collage/photomontage about African-American experience 50s-70s artlife/biography/biography.html ENG-mam/gallery2.htm Color: Modern color or so-called “New Color” (prints, not slides, viewable as gallery art) Marie Cosindas: color Polaroid still-lifes and portraits, traditional (derivative, decorative) style but “early” use of modern color, showed its possibilities in early 60s (before Kodak’s color process was fully functional for art printing) but published (w/ Tom Wolfe essay) 1978 prueba/eng/articulo.php?id=253 gallery/main.php?level=album&id=53 William Eggleston: color documentary of South, spirit of Friedlander & Frank, 60s-80s and on (more and more of the same, often printed in expensive books that end up on remainer bins). Szarkowski’s key William Eggleston’s Guide (1976) made Eggleston famous. many links (the fourth one is just text, but is not a bad blurb on him): images/P/0870703781.01._SS500_SCLZZZZZZZ_.jpg booktease/tt086/Page4.html slideshow/2002/10/17/magazine/20port.slideshow_1.html people/bc/1999/09/07/eggleston/index.html JoAnn Callis: slightly odd (surreal) situations, all clearly set-up but with an element of familiarity, as in a dream, playing with expectations, depending on the color 70s-80s (the first link is a hilarious one because it has one of Callis’s pictures and it’s in black and white! on the web! LOL) collection/detail.asp?WorkID=520 but this is a barely better Callis attempt (hard to find sites on her) gbase/Arts/Content?oid=61775 bookstore/titles/callis.html earlycolor/ Joel Meyerowitz: romanticized and delicately nuanced (color) landcapes of Cape Cod (Cape Light) and then as a result of that success, large format (8x10), early 80s archive11.htm photoarchive/results.asp?txtkeys1=cape+light The return of large format (in a new, contemporary fashion) New Topographics: based on functional topographic photography of 1860s-70s, new work straight, dry, detailed landscapes, but made as ART, style was a lack of style, an utterly purist use of the photograph stripped of extraneous motives, includes a dozen photographers of 1970s collections/permanent/baltz_lewis.php this next one shows both old (1870s) and new (1970s) and newest (2000) topographic kinds of photographs: ?p=231 (Robert Adams): the classic mainstream new topographic type, key work 70s and 80s, still active in same manner, dry (lifeless?) works highly pristine & flawless, showing degradation of landscape in the West (note all the books he has to his name in the second link--people love this stuff) collections/permanent/adams_robert.php book/AdaRobFro01287.html The Bechers, Bernd and Hilla: earlier German methodical images of types of buildings and structures, like watertowers, creating comparative grids, etc history/becher.html visit/calendar/exhibitions/95 journal/2007/06/25/bernd-becher-influential-photographer-dies-at-75/ Stephen Shore, Uncommon Places, color topographic images from1970s with a structural (careful) formality artanddesign/2010/feb/08/new-topographics-photographs-american-landscapes templates/mShowDetailsbycat.cfm?Catalog=AP472 Nicholas Nixon: large format, b&w documentary of people: groups on porches, family at home, elderly, Tom Moran with AIDS, all with strong formal concerns, dry but influential and with difficult subject matter. late 70s-date collections/permanent/nixon_nicholas.php ezine/techtips/spotlight-nicholasnixon.html and the Brown Sisters, check them both out: Nixon/TBS/nixonimages.htm 2008/08/nicholas-nixon-and-the-brown-sisters.html Joel Sternfeld: color cultural landscapes (American Prospects) leading to On This Site, photos of crime sistes to make them more everyday, present tense, and factual. 1980s-90s bookstore/citation.cfm?catalog=PK888&i=&i2=&CFID=818948&CFTOKEN=82390247 art/gettyguide/artMakerDetails?maker=3902 en/exhibition/joel-sternfeld-on-this-site-191826/overview.html Bill Burke: little known large format portraits in Appalachian south, then famous series on warfare in Cambodia, paradoxically still using large format camera and Polaroid b&w film, 70s-80s (still active) templates/mShowDetailsbycat.cfm?Catalog=NT008 auctions/Auction.cfm?id=434 Documentary w/ artistic edge (including long term photojournalism projects) Mary Ellen Mark: Ward 81 (shot in 1976, published 1979) and Falkland Road (1981) as characteristic people-oriented projects with particular advantage as a woman (the first 2 links are her own site, the third is a Salon magazine article that is long but for anyone really curious it’s there) books/titles/ward_81/index001_ward81.html books/titles/falkland_road/index001_falkrd.html Gilles Peress: Telex Iran (1984) aesthetic, intense photojournalism of 1979-80 revolution collections/permanent/peress_gilles.php Archive/c.aspx?VP=XSpecific_MAG.BookDetail_VPage&pid=2K7O3R15I9QO Sabastiao Salgado: Workers (1993) manual labor worldwide 1980s, still active en/article/66050 089381525x.html new/2000/segalo_e.html Jim Goldberg: text by subjects on photographs as documentary voices, Rich and Poor (1985) richpoor/ Archive/c.aspx?VP=XSpecific_MAG.BookDetail_VPage&pid=2K7O3R151ZH9 Bruce Davidson: later work (Subway) davidsonshow5.htm templates/mShowDetailsbycat.cfm?Catalog=PK947 Lauren Greenfield: (if we cover this on Thursday as I hope to) photo essay on youth culture in L.A. Fast Forward 1990s (the first one is a video) index.php?p=CPWSTGDI index.php?p=2A10ZVAL Looking from within (shooting their own worlds, large or small camera) Larry Clark: legendary personal documentary, Tulsa (1971) and the tag-along and racier Teenage Lust (1981) both exploring his world growing up with drugs and violence, often imitated, Tulsa work from 60s-70s (the third link has more of a mishmash) 2009/06/27/larry-clark/ museum/exhibitions/larry_clark/ yakira3551/?entry=entry100219-051527 Nan Goldin: influential personal documentary, Ballad of Sexual Dependency, about her world of punk era, color, more atmospheric, late 70s-80s, continuing in edgy subjects with same visual style since (the first link seems to have the date wrong, 1983 should be more like 1976, but I might be misunderstanding it)... artanddesign/artblog/2008/may/26/nangoldinsphotographicwork aic/exhibitions/story/goldin.html 2003/ngie.php Emmet Gowin: large format, relaxed views of his rural family, influential 1960s-70s (still active w/ very different work) LotFinder/lot_details.aspx?intObjectID=5123178 02/artphotogallery/photographers/emmet_gowin_01.html Sally Mann: romanticized large format views of her own family and environment, emphasizing the natural situations, unpleasant and contradictory, her children growing up, aggrandized and/or exploited, 1980s-date artists/contemporary/Mann/index.html z_Mann/gallery.htm Alternative Processes (counterpoint to the straight stuff that dominates the histories now) (a whole range of people): using any of twenty or thirty non-mainstream processes such as cyanotype, handcoloring, handmade xerography, photoscreenprints, hand-applied emulstions, bookmaking with photographs, etc., mostly 1970s, possibly a combination of reacting against Szarkowski and New Documents, and of wanting to “make” their art and thereby avoid being merely photographic search?q=%22alternative+processes%22+photography&hl=en&safe=off&client=safari&rls=en&prmd=ivns&tbm=isch&tbo=u&source=univ&sa=X&ei=ic7mTZT6McHUgAfrwu3lCg&ved=0CHwQsAQ&biw=1050&bih=702 A few of these artists, like Kenda North and Bea Nettles have continued to make work that descends from those strategies. store/?page_id=348 Remember: These are the simplest of summaries & quick reminders. Read and study notes! The few xerox readings are meant only to supplement these main points. Caveat: This takes you to that screwy prismatic wonderful facet of the real world: the internet, an unpredictable and often disturbing place because it quickly brings you into someone else’s library, living room, head, asylum.... I tried to pick sites that are the most appropriate and strongest for the class. Sometimes there are materials that go beyond what is needed or included in my discussions, and for some of you, well beyond good taste--please use your discretion deciding what to study and what to ignore. -------------------- [Arbus] was a photographic genius and I am not a photographic genius. My genius, if I have any, is in the slideshows, in the narratives. It is not in making perfect images. --Nan Goldin

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The return of large format (in a new, contemporary fashion)

New Topographics: based on functional topographic photography of 1860s-70s, new work straight, dry, detailed landscapes, but made as ART, style was a lack of style, an utterly purist use of the photograph stripped of extraneous motives, includes a dozen photographers of 1970s

collections/permanent/baltz_lewis.php

this next one shows both old (1870s) and new (1970s) and newest (2000) topographic kinds of photographs:

?p=231

(Robert Adams): the classic mainstream new topographic type, key work 70s and 80s, still active in same manner, dry (lifeless?) works highly pristine & flawless, showing degradation of landscape in the West (note all the books he has to his name in the second link--people love this stuff)

collections/permanent/adams_robert.php

book/AdaRobFro01287.html

The Bechers, Bernd and Hilla: earlier German methodical images of types of buildings and structures, like watertowers, creating comparative grids, etc

history/becher.html

visit/calendar/exhibitions/95

journal/2007/06/25/bernd-becher-influential-photographer-dies-at-75/

Stephen Shore, Uncommon Places, color topographic images from1970s with a structural (careful) formality

artanddesign/2010/feb/08/new-topographics-photographs-american-landscapes

templates/mShowDetailsbycat.cfm?Catalog=AP472

Nicholas Nixon: large format, b&w documentary of people: groups on porches, family at home, elderly, Tom Moran with AIDS, all with strong formal concerns, dry but influential and with difficult subject matter. late 70s-date

collections/permanent/nixon_nicholas.php

ezine/techtips/spotlight-nicholasnixon.html

and the Brown Sisters, check them both out:

Nixon/TBS/nixonimages.htm

2008/08/nicholas-nixon-and-the-brown-sisters.html

Joel Sternfeld: color cultural landscapes (American Prospects) leading to On This Site, photos of crime sistes to make them more everyday, present tense, and factual. 1980s-90s

bookstore/citation.cfm?catalog=PK888&i=&i2=&CFID=818948&CFTOKEN=82390247

art/gettyguide/artMakerDetails?maker=3902

en/exhibition/joel-sternfeld-on-this-site-191826/overview.html

Bill Burke: little known large format portraits in Appalachian south, then famous series on warfare in Cambodia, paradoxically still using large format camera and Polaroid b&w film, 70s-80s (still active)

templates/mShowDetailsbycat.cfm?Catalog=NT008

auctions/Auction.cfm?id=434

Documentary w/ artistic edge (including long term photojournalism projects)

Mary Ellen Mark: Ward 81 (shot in 1976, published 1979) and Falkland Road (1981) as characteristic people-oriented projects with particular advantage as a woman (the first 2 links are her own site, the third is a Salon magazine article that is long but for anyone really curious it’s there)

books/titles/ward_81/index001_ward81.html

books/titles/falkland_road/index001_falkrd.html

Gilles Peress: Telex Iran (1984) aesthetic, intense photojournalism of 1979-80 revolution

collections/permanent/peress_gilles.php

Archive/c.aspx?VP=XSpecific_MAG.BookDetail_VPage&pid=2K7O3R15I9QO

Sabastiao Salgado: Workers (1993) manual labor worldwide 1980s, still active

en/article/66050

089381525x.html

new/2000/segalo_e.html

Jim Goldberg: text by subjects on photographs as documentary voices, Rich and Poor (1985)

richpoor/

Archive/c.aspx?VP=XSpecific_MAG.BookDetail_VPage&pid=2K7O3R151ZH9

Bruce Davidson: later work (Subway)

davidsonshow5.htm

templates/mShowDetailsbycat.cfm?Catalog=PK947

Lauren Greenfield: (if we cover this on Thursday as I hope to) photo essay on youth culture in L.A. Fast Forward 1990s (the first one is a video)

index.php?p=CPWSTGDI

index.php?p=2A10ZVAL

Looking from within (shooting their own worlds, large or small camera)

Larry Clark: legendary personal documentary, Tulsa (1971) and the tag-along and racier Teenage Lust (1981) both exploring his world growing up with drugs and violence, often imitated, Tulsa work from 60s-70s (the third link has more of a mishmash)

2009/06/27/larry-clark/

museum/exhibitions/larry_clark/

yakira3551/?entry=entry100219-051527

Nan Goldin: influential personal documentary, Ballad of Sexual Dependency, about her world of punk era, color, more atmospheric, late 70s-80s, continuing in edgy subjects with same visual style since (the first link seems to have the date wrong, 1983 should be more like 1976, but I might be misunderstanding it)...

artanddesign/artblog/2008/may/26/nangoldinsphotographicwork

aic/exhibitions/story/goldin.html

2003/ngie.php

Emmet Gowin: large format, relaxed views of his rural family, influential 1960s-70s (still active w/ very different work)

LotFinder/lot_details.aspx?intObjectID=5123178